Vino Rosso, da Tutti i Giorni, 2020

While working on the Elvira print at the historical printmaking studio Il Bisonte, Sylvie Auvray surprised the technicians with the imaginative selection of materials and unconventional methods – rather than using the traditional etching pen on copper plate, she used different liquids in order to create imagery. The result was a large shape in the center of the work reminiscent of a ghostly spirit, so she named the print after Elvira –after the local legend of a young beauty who haunts the woods of Villa Lena.

Gently resting on a mattress and wrapped in their bed sheets, Adeline’s “creatures” seem gently kissed by the peeking moonlight, while a grainy grayness invades the darker corners of their “incubedroom”. A window into their quiet intimacy. Adeline De Monseignat’s drawing that inspired this work, is the starting point for an installation that one day will become a reality.

This print work by the American artist Alan Reid invites reasoning, provocation and negotiation of absurdist scenarios involving ideas around mass-produced Vogue covers, social realism and modern European masters.

Beatrice Boyle limited edition print celebrates the female figure, reduced to a few simple lines, the colour recalls flesh in flat monochrome. Through a series of abstractions, the figure becomes removed from the original life drawings, paintings and sculptures it derived from – it becomes a symbol, a representation of its simplest form.